"Nobody series"
This series documents the appearance of the word nobody in ordinary urban spaces: secondary walls, forgotten corners, worn surfaces, transitional places that rarely receive attention.
The work is not about graffiti as territorial claim, but as a minimal trace of existence.
"nobody I" — mixed digital technique
"After visibility"
After Visibility is a series of typographic neon works that examine what remains once visibility has been exhausted. The project approaches light not as a vehicle of revelation, but as a condition that exposes its own limits.
Neon—historically associated with advertising, spectacle, and immediate legibility—is repurposed here as a contradictory medium. The illuminated texts do not clarify or attract; they resist interpretation. Language is reduced, suspended, and stripped of explanatory function. What appears is not a message, but a statement of refusal.
The series extends the ongoing investigation of authorship, legibility, and disappearance The neon texts do not announce, guide, or instruct. They remain as luminous interruptions—markers of a moment where seeing no longer guarantees understanding.
"no name - no image" — mixed digital technique
"The artist is no here" — mixed digital technique
"The artist is no here" — mixed digital technique
"Unreadable series"
UNREADABLE is a series of portraits of hyper-famous figures rendered visually unrecognisable through digital glitches, fragmentation, and signal corruption.
The image refuses recognition.
The face collapses into data noise.
Identity is not removed — it is encrypted.
"Opacity"
Opacity is an ongoing body of work that treats language not as a tool for communication, but as a mechanism of obstruction.
Texts, symbols, and codes appear fragmented, corrupted, or deliberately incomplete.
Meaning is not hidden behind the work—it is withheld by the work itself. Language becomes a surface that resists interpretation, a structure that refuses to guide the viewer toward clarity or resolution.
Binary code, glitches, illegible typography, and partial sentences are used to expose how clarity operates as a form of control,
and how opacity can function as a strategy of resistance.
"clarity is a form of violence" — mixed digital technique
"Unreadable series"
Unreadable is a series of portraits of hyper-famous figures rendered visually unrecognisable through digital glitches, fragmentation,
and signal corruption.
The image refuses recognition. The face collapses into data noise.
Identity is not removed — it is encrypted.
"Opacity"
Opacity is an ongoing body of work that treats language not as a tool for communication, but as a mechanism of obstruction.
Texts, symbols, and codes appear fragmented, corrupted, or deliberately incomplete.
Meaning is not hidden behind the work—it is withheld by the work itself. Language becomes a surface that resists interpretation, a structure that refuses to guide the viewer toward clarity or resolution.
Binary code, glitches, illegible typography, and partial sentences are used to expose how clarity operates as a form of control,
and how opacity can function as a strategy of resistance.
"Unreadable I" — mixed digital technique
"Unreadable II" — mixed digital technique
"Urban decay series"
Urban Decay is a collection of collages created from fragments of urban advertising—posters, flyers, and paper advertisements that litter the city. These materials are reclaimed, decontextualized, and reassembled, revealing the hidden textures, colors, and layers of urban life that usually go unnoticed.
Into these reclaimed surfaces, Unknown Artist introduces minimal tags and marks—subtle interventions that blur the line between presence and erasure. The tags do not sign the work; they are echoes, fragments of an author that refuses visibility.
Each piece documents the passage of time, neglect, and overexposure, exposing the cycle of creation and decay in urban space. The collages act as archaeologies of the everyday, where advertising, which is meant to impose meaning, is dismantled and rendered into obstructed, ambiguous visual statements.
Fragments accumulate — meaning dissolves.
"urban decay II" — mixed digital technique
"urban decay II" — mixed digital technique
"Urban decay series"
Urban Decay is a collection of collages created from fragments of urban advertising—posters, flyers, and paper advertisements that litter the city. These materials are reclaimed, decontextualized, and reassembled, revealing the hidden textures, colors, and layers of urban life that usually go unnoticed.
Into these reclaimed surfaces, Unknown Artist introduces minimal tags and marks—subtle interventions that blur the line between presence and erasure. The tags do not sign the work; they are echoes, fragments of an author that refuses visibility.
Each piece documents the passage of time, neglect, and overexposure, exposing the cycle of creation and decay in urban space. The collages act as archaeologies of the everyday, where advertising, which is meant to impose meaning, is dismantled and rendered into obstructed, ambiguous visual statements.
Fragments accumulate — meaning dissolves.
